Stories from behind the scenes.

Malawian music duo Howard Amos and Jermano Mangulu, behind hits like "Nthungululu", "Thyola Sitepe", and "Chikondi Chaziwindi", break silence on their years-long hiatus. Citing stolen studio equipment, they're seeking sponsorship/partnership to revive their music career.

Today, Teddy Makadi stands among Malawi’s most streamed and talked-about artists, and he hasn’t disappointed with his recent releases. Whether it’s love, timing, or fate, one thing is clear, with Nana the Creator in his story, Teddy’s star seems to shine a little brighter.

When Driemo first stepped into Malawi’s music scene a few years ago, not many noticed. He wasn’t backed by fame or controversy, just pure talent.

Did he deserve this opportunity? Absolutely. If not Gwamba, then who? The man has dominated Malawi’s rap scene for over a decade, that’s not even up for debate.

Some may bring up Vic Marley or Mafunyeta, both icons whose lives were tragically cut short, making it impossible to measure their full potential. But for Malinga, consistency, longevity, and adaptability have solidified his place at the top.

It’s always puzzling when great artists like Namadingo and Faith Musa, who once embodied authentic Malawian music, drift toward more commercial sounds.

Mic Mash never stops creating. He’s constantly in the studio, dropping new music regularly. What stands out most is his confidence, he believes in his art and doesn’t chase trends or make songs just to go viral.

“Tuno has been one of Malawi’s most gifted female artists for the past decade,” one fan wrote. “Stars shine brightest in darkness, she shouldn’t let the trolls win.”

According to social media posts, Merchah accused Onesimus of filing a copyright claim that led to the removal of his video. However, reports indicate that both artists do not own the rights to the instrumental beat used in their respective songs — “Running Mate” by Onesimus and “Koso” by Merchah.